Evidently not one for squatting on his laurels--years of pre-fame self-sufficiency has seen to that--Gray has toiled towards new horizons, drafting in an external producer for the first time.
Marius De Vries, whose duties grace the more recent works of Bjork, Madonna and Rufus Wainwright, adds a more poetic dimension to such Thomas Hardy-esque musical landscapes as "Now And Always" and "Nos Da Cariad", where the negligibility of human emotion is contrasted with the raw omnipotence of the environment and the succinct brutality of existence. Not that Gray is a total mope; "The One I Love"--a paean to life expressed through the lips of a dying battlefield casualty--is a fine, if anomalistic, pop song in the Springsteen tradition and the cinematic sweetness of "Alibi" disguises its hair-tearing, long-distance estrangement in one of Gray's more superlative radio friendly tunes.
Life In Slow Motion might well be David Gray's darkest hour yet but for homogeneity, ambition and self-expression it's also his most realised record by some distance. --Kevin Maidment
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A New Day at Midnight (CD) | White Ladder (CD) | David Gray - Live (DVD) | A Way of Life (DVD) |
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White Ladder was superb, in fact one of my favourite albums of all time but Life In Slow Motion runs it close.
This album is different sounding to White Ladder, perhaps more like the previous album but with greater quality. Dont get me wrong "A new Day At Midnight" was a good album but not every song hit the mark.
Life in Slow Motion has potential singles throughout, each song carrying the unique David Gray sound and all superbly written.
The album is beautifully crafted - a mastereice of song writing.
Music should be about evoking emotions and Gray manages to do this with each and every song on the album.