Other running sub-plots include the hapless efforts by Chris (Michael Imperioli) to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme-makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around.
Effortlessly multi-dimensional, funny and frightening, and devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
It's alot darker then the first series, there's more violence too, but that just adds to the excitment! We say good bye to one of the gang (I won't tell you who), after Tony finds a wire in his bedroom. We also see the arrival, and 'bloody' exciting departure of Richie, who also get bumped off, but no by Tony... Janice also hits the scene as Tony's sister causing havoc in the household, whilst Tony blanks his mother out of his life.
The series is very funny at times, but can be moving also. the first few episodes start off alittle slow but watch a couple and you'll not stop till it's over. The final episode it great!
Please for the sake of humanity buy this series, however if you haven't seen the first series yet, make sure you watch it before you watch this, and everything will fall into place nicley!
James Gandolfini has a charisma that leaps off the screen in a character (Tony Soprano) that evokes sympathy as well as disgust from the viewer. The fascination of Tony Soprano (JG) is absorbing and irresistable, what's he going to do next? The tension and the need to know 'what happens next' is great - serious entertainment. J.G's acting and the writing is so good that the viewer feels they get to 'know' Tony to the point of guessing how he might react to the varied situations he faces.
Like Series one, the magic starts with the punchy theme tune and continues through the episodes, the great storylines/acting carried along with great music.
Marvellous!!