Siouxsie & the banshees influenced some of the best music of the last decades. In fact, Trip-hop could have never existed wihout them.
MASSIVE ATTACK recorded a cover of "Metal Poscard"(from "The Scream") in 1997 for "The Jackal" cd. TRICKY sang in 1996 "Tattoo"(from "Downside-Up") on his "Nearly god" album. Other famous singers were also inspired by them : JEFF BUCKLEY covered live "killing Time"(from "Boomerang") which is a Siouxsie / The Creatures composition. MORRISSEY even recorded a single "Interlude" in duet with Siouxsie !!! where as others like Shirley Manson from GARBAGE wrote in 2003 the foreword of "The Siouxsie & The Banshees's Authorized Biography". So, this band can't be ignored in every good collection of albums.

This best-of is an excellent teaser to discover them. Classics like "Happy House" or "Hong Kong Garden", are as brilliant as any Blondie or Talking Heads songs. "Kiss them for me" is musically a catchy song close to New Order or Garbage and "Peek-A-Boo" is The Chemical Brothers meet Massive Attack.
This music is just superb.

I adore Siouxsie & The Banshees, but this so called 'Best of' dissapointed me greatly. It really is 'Banshess-by-numbers', choosing the most commercial songs, creating such a soulless track listing. There is nothing there that really shows the Banshees' life and vigour. Dear Prudence and Hong Kong Garden may have got high in the charts, but they're not songs that are the essence of the Banshees. They're just...there.

This is a good place for beginners to start, but other than that this album serves no real purpose.

This collection is ideal for the casual listener or those who wish to investigate the work of Siouxsie And the Banshees based on what they have heard on the radio. As such, it is a more than satisfying collection that offers the greatest hits from 1978???s Hong Kong Garden up to 1991???s Kiss Them For Me and 1995???s Stargazer. It includes two cover versions: The Beatles??? Dear Prudence and Julie Driscoll???s hit This Wheel???s On Fire, both competent if not brilliant interpretations.

Of course the 1980s was their most fruitful period with UK hits like Happy House, Israel, Christine, Spellbound and Arabian Knights. Most of these are atmospheric numbers with just a hint of The Banshees??? proto-goth dark side shining through. Their debut album The Scream still remains one of the most psychotic statements in rock but is not a piece of music that lends itself to hits compilations. Well, perhaps Helter Skelter should have been considered ???

My favourites include their first hit, Hong Kong Garden, a powerful punk number with absolutely blistering guitar work and an exotic touch, Kiss Them For Me, their lilting, swaying 1991 hit about a doomed actress, Peek-A-Boo from the 1988 Peep Show album and Stargazer from their last, under-appreciated album The Rapture. Great songs and an innovative edge lend a timeless quality to the music. Those who want more of this great band are advised to investigate the compilations Once Upon A Time (1981) and Twice Upon A Time (1992).

i'm hip hop fan from the old days,but in the back of my mind i've always liked goth/punk style stuff...any thing different!this album kicks a**,her voice/creativeness is just mind blowing..wicked melodies/beats,this is how musis should be:)ahead of their time type stuff!

if your fed up with the usual chart stuff... this is definatly going to be your cup of tea ...please check this out, you will not be disapointed...just ace!

OK, a Siouxsie and the Banshees best of - should be fantastic right? Well, sort of - this one doesn't really do justice to their output.

The first thing that you notice is that those early years that produced great concert favourites, when the original guitarist and drummer were still with the band, like 'Switch', 'The Staircase' is represented by a single song (albeit the best one) - 'Hong Kong Garden'. Also, there is a distinct lack of album tracks; it's true that they made great singles, but they also made great albums.

The period of greatest commercial success seems to be best represented here - 'Happy House', 'Spellbound', 'Arabian Nights', but don't get me wrong - they're great songs, it's just a pity that some of the other periods in their lengthy career is unrepresented.

If this album had been a double album, then it would no doubt have been a fantastic best of album, but it really does suffer from trying to put a couple of quarts into a pint glass.